Gone With or Without fanfare

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Re: Gone With or Without fanfare

Postby Lzcutter » Wed Jul 04, 2012 4:34 pm

It may be one of Andy's best supporting performances as a Hollywood veteran writer who is not entirely likable but a valuable man to know, (and many thanks to Lynn for turning me onto this movie years ago).


Moira,

What a great way to describe Andy's character in Hearts of the West. I saw it on its original release and it is one of my favorite films from the 1970s. I'm glad TCM is showing it as part of its tribute to Andy.
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Re: Gone With or Without fanfare

Postby moirafinnie » Thu Jul 05, 2012 3:28 pm

There are some recorded insights from Andy Griffith himself at the Archive of American Television if anyone is interested:

http://emmytvlegends.org/interviews/people/andy-griffith

Lynn--I am really looking forward to seeing Hearts of the West again on TCM.

Thanks for the link to the youtube version, Wendy. I forgot that the recently departed Frank Cady played Jeff Bridges' scoffing father.
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Re: Gone With or Without fanfare

Postby MissGoddess » Thu Jul 05, 2012 3:41 pm

who's the dandy little mouse, moira?
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Re: Gone With or Without fanfare

Postby moirafinnie » Thu Jul 05, 2012 3:48 pm

who's the dandy little mouse, moira?


Stuart Little, Miss G., as drawn brilliantly by Garth Williams for the E.B. White classic.

While reviewing the slew of Leslie Howard movies coming up this month on TCM, it occurred to me that the actor was born to play the part of Stuart--if only it hadn't been written after the man's untimely death. I believe that Leslie might have blended the humor and tenderness of the story seamlessly and the physical resemblance is uncanny. I mean that as a compliment, btw, since LH and Stuart are two faves of mine.
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Re: Gone With or Without fanfare

Postby MissGoddess » Thu Jul 05, 2012 3:51 pm

I've never read or seen Stuart Little. I love the illustration. But I better not let Felix or Nikki see it. :)
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Re: Gone With or Without fanfare

Postby JackFavell » Thu Jul 05, 2012 4:01 pm

WOW. You just blew my mind, with your comparison of Leslie Howard and Stuart Little. Perfect casting, Moira. I am so excited about LH as Star of the Month... I only just figured it out yesterday.
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Re: Gone With or Without fanfare

Postby RedRiver » Thu Jul 05, 2012 5:17 pm

I am not at all familiar with ONIONHEAD. I wonder if it's good.
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Re: Gone With or Without fanfare

Postby JackFavell » Thu Jul 05, 2012 7:19 pm

I would say Onionhead is OK, not as funny as No Time for Sergeants, but it's not really meant to be, I guess. It's sort of all over the place, with some comedy and then some light drama thrown in too. I wasn't as enamored of it as I was the other movie, but Andy is as always, good.
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Re: Gone With or Without fanfare

Postby Lzcutter » Sat Jul 07, 2012 8:23 pm

Ron Howard remembers his television father and his friend, Andy Griffith:


http://www.latimes.com/entertainment/ne ... 0496.story
Lynn in Sherman Oaks

"Film is history. With every foot of film lost, we lose a link to our culture, to the world around us, to each other and to ourselves."

"For me, John Wayne has only become more impressive over time." Marty Scorsese

Avatar-Bob's Big Boy-Toluca Lake, designed in 1948 by Wayne McAllister, still in business.
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Re: Gone With or Without fanfare

Postby Lzcutter » Sun Jul 08, 2012 9:29 pm

Pike Bishop: What would you do in his place? He gave his word.
Dutch Engstrom: He gave his word to a railroad.
Pike Bishop: It's his word.
Dutch Engstrom: That ain't what counts! It's who you give it to!
---William Holden and Ernest Borgnine, The Wild Bunch.

Reports are coming in that Academy Award winner and friend of TCM, Ernest Borgnine has passed away at the age of 95. A favorite of film buffs with a wide range of roles from bad guys -From Here to Eternity, Bad Day at Black Rock, to love-struck-Marty to character actor, The Wild Bunch and many more, Borgnine leaves behind an impressive filmography and saddened fans.

From the Seattle Times:

Ernest Borgnine, the beefy screen star known for blustery, often villainous roles, but who won the best-actor Oscar for playing against type as a lovesick butcher in "Marty" in 1955, died Sunday. He was 95.

His longtime spokesman, Harry Flynn, told The Associated Press that Borgnine died of renal failure at Cedars-Sinai Medical Center with his wife and children at his side.

Borgnine, who endeared himself to a generation of Baby Boomers with the 1960s TV comedy "McHale's Navy," first attracted notice in the early 1950s in villain roles, notably as the vicious Fatso Judson, who beat Frank Sinatra to death in "From Here to Eternity."

Then came "Marty," a low-budget film based on a Paddy Chayefsky television play that starred Rod Steiger. Borgnine played a 34-year-old who fears he is so unattractive he will never find romance. Then, at a dance, he meets a girl with the same fear.

"Sooner or later, there comes a point in a man's life when he's gotta face some facts," Marty movingly tells his mother at one point in the film. "And one fact I gotta face is that, whatever it is that women like, I ain't got it. I chased after enough girls in my life. I-I went to enough dances. I got hurt enough. I don't wanna get hurt no more."

The realism of Chayefsky's prose and Delbert Mann's sensitive direction astonished audiences accustomed to happy Hollywood formulas. Borgnine won the Oscar and awards from the Cannes Film Festival, New York Critics and National Board of Review.

Mann and Chayefsky also won Oscars, and the Academy of Motion Picture Arts and Sciences hailed the $360,000 "Marty" as best picture over big-budget contenders "The Rose Tattoo," "Love Is a Many-Splendored Thing," "Picnic" and "Mister Roberts."

"The Oscar made me a star, and I'm grateful," Borgnine told an interviewer in 1966. "But I feel had I not won the Oscar I wouldn't have gotten into the messes I did in my personal life."

Those messes included four failed marriages, including one in 1964 to singer Ethel Merman that lasted less than six weeks.

But Borgnine's fifth marriage, in 1973 to Norwegian-born Tova Traesnaes, endured and brought with it an interesting business partnership. She manufactured and sold her own beauty products under the name of Tova and used her husband's rejuvenated face in her ads.

During a 2007 interview with The Associated Press, Borgnine expressed delight that their union had reached 34 years. "That's longer than the total of my four other marriages," he commented, laughing heartily.

Although still not a marquee star until after "Marty," the roles of heavies started coming regularly after "From Here to Eternity." Among the films: "Bad Day at Black Rock," "Johnny Guitar," "Demetrius and the Gladiators," "Vera Cruz."

Director Nick Ray advised the actor: "Get out of Hollywood in two years or you'll be typed forever." Then came the Oscar, and Borgnine's career was assured.

He played a sensitive role opposite Bette Davis in another film based on a Chayefsky TV drama, "The Catered Affair," a film that was a personal favorite. It concerned a New York taxi driver and his wife who argued over the expense of their daughter's wedding.

But producers also continued casting Borgnine in action films such as "Three Bad Men," "The Vikings," "Torpedo Run," "Barabbas," "The Dirty Dozen" and "The Wild Bunch."

Then he successfully made the transition to TV comedy.

From 1962 to 1966, Borgnine - a Navy vet himself - starred in "McHale's Navy" as the commander of a World War II PT boat with a crew of misfits and malcontents. Obviously patterned after Phil Silvers' popular Sgt. Bilko, McHale was a con artist forever tricking his superior, Capt. Binghamton, played by the late Joe Flynn.

The cast took the show to the big screen in 1964 with a "McHale's Navy" movie.

Borgnine's later films included "Ice Station Zebra," "The Adventurers," "Willard," "The Poseidon Adventure," "The Greatest" (as Muhammad Ali's manager), "Convoy," "Ravagers," "Escape from New York," "Moving Target" and "Mistress."

More recently, Borgnine had a recurring role as the apartment house doorman-cum-chef in the NBC sitcom "The Single Guy." He had a small role in the unsuccessful 1997 movie version of "McHale's Navy." And he was the voice of Mermaid Man on "SpongeBob SquarePants" and Carface on "All Dogs Go to Heaven 2."

"I don't care whether a role is 10 minutes long or two hours," he remarked in 1973. "And I don't care whether my name is up there on top, either. Matter of fact, I'd rather have someone else get top billing; then if the picture bombs, he gets the blame, not me."

Ermes Efron Borgnino was born in Hamden, Conn., on Jan. 24, 1917, the son of Italian immigrant parents. The family lived in Milan when the boy was 2 to 7, then returned to Connecticut, where he attended school in New Haven.

Borgnine joined the Navy in 1935 and served on a destroyer during World War II. He weighed 135 pounds when he enlisted. He left the Navy 10 years later, weighing exactly 100 pounds more.

"I wouldn't trade those 10 years for anything," he said in 1956. "The Navy taught me a lot of things. It molded me as a man, and I made a lot of wonderful friends."

For a time he contemplated taking a job with an air conditioning company. But his mother persuaded him to enroll at the Randall School of Dramatic Arts in Hartford. He stayed four months, the only formal training he received.

He appeared in repertory at the Barter Theater in Virginia, toured as a hospital attendant in "Harvey" and played a villain on TV's "Captain Video."

After earning $2,300 in 1951, Borgnine almost accepted a position with an electrical company. But the job fell through, and he returned to acting, moving into a modest house in Los Angeles' San Fernando Valley.

His first marriage was to Rhoda Kenins, whom he met when she was a Navy pharmacist's mate and he was a patient. They had a daughter, but the marriage ended in divorce after his "Marty" stardom.

Borgnine married Mexican actress Katy Jurado in 1959, and their marriage resulted in headlined squabbles from Hollywood to Rome before it ended in 1964.

In 1963, he and Merman startled the show business world by announcing, after a month's acquaintance, that they would marry when his divorce from Jurado became final. The Broadway singing star and the movie tough guy seemed to have nothing in common, and their marriage ended in 38 days after a fierce battle.

"If you blinked, you missed it," Merman once cracked.

Next came one-time child actress Donna Rancourt, with whom Borgnine had a daughter, and finally his happy union with Tova.

On Jan. 24, 2007, Borgnine celebrated his 90th birthday with a party for friends and family at a West Hollywood bistro. He seemed little changed from his years as a lusty villain or sympathetic hero on the screen. His only concession to age had come at 88 when he gave up driving the bus he would take around the country, stopping to talk with local folks along the way.

During an interview at the time, Borgnine complained that he wanted to continue acting but most studio executives kept asking, "Is he still alive?"

"I just want to do more work," he said. "Every time I step in front of a camera I feel young again. I really do. It keeps your mind active and it keeps you going."
Lynn in Sherman Oaks

"Film is history. With every foot of film lost, we lose a link to our culture, to the world around us, to each other and to ourselves."

"For me, John Wayne has only become more impressive over time." Marty Scorsese

Avatar-Bob's Big Boy-Toluca Lake, designed in 1948 by Wayne McAllister, still in business.
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Re: Gone With or Without fanfare

Postby ChiO » Sun Jul 08, 2012 9:51 pm

Only if it be God's will.
Everyday people...that's what's wrong with the world. -- Morgan Morgan
I love movies. But don't get me wrong. I hate Hollywood. -- Orson Welles
Movies can only go forward in spite of the motion picture industry. -- Orson Welles
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Re: Gone With or Without fanfare

Postby JackFavell » Sun Jul 08, 2012 10:35 pm

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Re: Gone With or Without fanfare

Postby CineMaven » Sun Jul 08, 2012 10:48 pm

Sad and unexpected news about Ernest Borgnine.
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Re: Gone With or Without fanfare

Postby JackFavell » Sun Jul 08, 2012 10:54 pm

I think I'm in shock. first Andy now Ernie.
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Re: Gone With or Without fanfare

Postby Robert Regan » Sun Jul 08, 2012 11:02 pm

This list of the oldest living movie people posted by our friend Brian Camp is already out of date.

ACTRESSES: Carla Laemmle (1909), Luise Rainer(1910), Lupita Tovar
(1911), Mary Carlisle (1912), Risë Stevens (1913), Anna Wing (1914),
Patricia Morison (1915), Olivia de Havilland (1916), Isuzu Yamada
(1917), Zsa Zsa Gabor, Celeste Holm, Danielle Darrieux, Phyllis
Diller, June Foray, Marsha Hunt, Joan Fontaine, Janet Waldo (1918),
Marjorie Lord, Mary Healey, Ellen Dow, Audrey Totter, Marge Champion
(1919), Michele Morgan 1920), Renee Asherson, Maureen O'Hara, Dinah
Sheridan, Jayne Meadows, Nanette Fabray, Noel Neill, Carol Channing
(1921), Elizabeth Wilson, Barbara Hale, Muriel Pavlow, Jean Kent,
Esther Williams, Jane Adams, Phyllis Thaxter, Deanna Durbin, Betty
White (1922), Sheila Sim, & Eleanor Parker.


ACTORS: Herb Jeffries (1911), Tony Martin (1912), Richard Coogan
(1914), Norman Lloyd, Wally Cassell (1915), Eli Wallach, Don Keefer
(1916), Kirk Douglas, Herbert Lom (1917), Ernest Borgnine, R.G.
Armstrong, George Gaynes, Allan Arbus (1918), Efrem Zimbalist, Eddie
Lawrence (1919), Louis Jourdan, Al Molinaro, Alan Young, Mickey Rooney
(1920), Frank Thornton (1921), Abe Vigoda, Harry Carey, Clifton James,
Gerald O'Loughlin, Graham Stark (1922), William Phipps, Patrick
MacNee, Steven Hill, James Noble, Michael Ansara, Jack Klugman, Bill
Macy, & Christopher Lee.

DIRECTORS: Manoel de Oliveira (1908), Kurt Maetzig (1911), Norman
Felton (1913), Carlo Lizzani (1917), Ted Post (1918), Gabriel Axel.,
Lester James Peries (1919), Michael Anderson (1920), Lewis Gilbert,
Andrew McLaglen, Chris Marker (1921), William Asher, Miklos Jancso,
Gene Saks, Walter Grauman (1922), Carl Reiner, & Alain Resnais.

PRODUCERS: Run Run Shaw(1907), Elmo Williams (1913), A.C. Lyles
(1918), Artur Brauner, Saul Zaentz (1921), and Walter Mirisch.

MISCELLANEOUS: Roy Douglas (1907), Douglas Slocombe(1913), Gilbert
Taylor (1914), Van Alexander(1915), Oswald Morris, Stanley Kauffmann
(1916), Fay Kanin (1917), Blaine Gibson (1918), Shinobu Hashimoto, Bob
Schiller, Walter Bernstein (1919), Ray Harryhausen (1920), Bob
Godfrey, Haskell Wexler (1922), and Judith Crist.
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