Search found 148 matches
- March 31st, 2009, 10:07 am
- Forum: Dramas
- Topic: Double roles
- Replies: 38
- Views: 12810
Re: Double roles
Not so famous, but interesting: The Forbidden Street aka Britannia Mews (1949) directed by Jean Negulesco, with Maureen O'Hara as a Victorian maiden who falls in love with her drawing master (Dana Andrews), marries him and lives to regret it. After he abandons her, she finds herself living in a slu...
- March 30th, 2009, 1:46 pm
- Forum: Dramas
- Topic: Double roles
- Replies: 38
- Views: 12810
Re: Double roles
Great replies, everyone. Thanks for all the info. Klondike, I'm not really familiar with Patty Duke, although I've heard the name. I wonder whether her show was ever shown in the U.K.? Great clip, though. Having an actor playing double roles in a weekly sitcom must have made the logistics of it much...
- March 29th, 2009, 1:31 pm
- Forum: Dramas
- Topic: Double roles
- Replies: 38
- Views: 12810
Double roles
I wasn't really sure where to post this, but I've been thinking today about films where an actor plays a double (or even multiple) role. I've put it here, because the examples that come most readily to mind are dramas. I was inspired by watching Kind Hearts and Coronets (a comedy, I know) last week ...
- March 29th, 2009, 11:28 am
- Forum: General TV and Media
- Topic: Soundtracks
- Replies: 31
- Views: 8805
Re: Soundtracks
Does nobody like Bernard Herrmann? His soundtrack to The Ghost and Mrs Muir is absolutely beautiful. I also like his music to Vertigo, Fahrenheit 451, The Day the Earth Stood Still, and the other Hitchcocks. (Although I do feel a bit self-conscious when the compilation I have comes to the music from...
- March 25th, 2009, 11:08 am
- Forum: Silents & PreCodes
- Topic: Way Down East (1920) and Griffith's editing style
- Replies: 34
- Views: 13777
Re: Way Down East (1920) and Griffith's editing style
it was MELODRAMA for god's sake.... why wouldn't you expect it to be preachy? It was part of the style of melodrama.... stop nitpicking and appreciate the good things in Griffith's films..... I take your point about melodrama being a specfic genre, drednm, and that it brings with it certain stylist...
- March 23rd, 2009, 11:06 am
- Forum: Musicals
- Topic: WHAT MUSICALS HAVE YOU SEEN LATELY?
- Replies: 446
- Views: 182362
Re: WHAT MUSICALS HAVE YOU SEEN LATELY?
I just watched Down Argentine Way this weekend. One of Twentieth Century Fox's gleaming Technicolor musicals with Don Ameche, Betty Grable and (in her American debut) Carmen Miranda. I find Betty Grable a bit on the bland side (I don't dislike her; I just prefer Alice Faye's singing voice as well as...
- March 23rd, 2009, 10:58 am
- Forum: Silents & PreCodes
- Topic: Way Down East (1920) and Griffith's editing style
- Replies: 34
- Views: 13777
Re: Way Down East (1920) and Griffith's editing style
Thanks for your replies, Ann Harding & charliechaplinfan. Both very interesting. I agree with Kevin Brownlow: it is 'maddening'! The change in backgrounds in close ups was another thing I noticed, but had forgotten about until I read it in your quote, Ann Harding. I have seen Broken Blossoms, Al...
- March 20th, 2009, 7:42 am
- Forum: Silents & PreCodes
- Topic: Way Down East (1920) and Griffith's editing style
- Replies: 34
- Views: 13777
Way Down East (1920) and Griffith's editing style
A couple of days ago, I watched Way Down East. Despite the really appalling comic relief, I enjoyed it very much, largely because of the beauty and sincerity of Lillian Gish's and Richard Barthelmess's performances, and for the chance to see again the iconic scene on the ice floe. However, I do have...
- March 20th, 2009, 7:22 am
- Forum: The People of Film
- Topic: Joan Crawford
- Replies: 45
- Views: 14400
Re: Joan Crawford
Great pictures, Miss Retro. Thanks for posting these. I particularly like the George Hurrell one (your third post, middle row, left), with the light creating enormous shadows from her eyelashes and her hand tragically clasped to her face. The epitome of suffering in mink. I believe she worked with H...
- March 14th, 2009, 11:14 am
- Forum: Sci-fi and Horror
- Topic: Vampyr
- Replies: 12
- Views: 5237
Vampyr
I rented this film and watched it last night. Directed by Carl Dreyer, it came out in 1932 but was more or less shot as a silent with the actors mouthing what little dialogue there was in French, German or English (for three separate versions) and then Dreyer creating the soundtrack in post-producti...
- March 14th, 2009, 10:58 am
- Forum: Film Noir and Crime
- Topic: House on Telegraph Hill (1951)
- Replies: 4
- Views: 2636
Re: House on Telegraph Hill (1951)
I saw this film a year or two ago and really liked it. I remember being surprised when I did a bit of research on it, and found it wasn't particularly well thought of. I don't recall all the details of the plot, but doesn't it involve emigree Valentina Cortesa posing as a dead woman in order to get ...
- March 12th, 2009, 11:30 am
- Forum: The People of Film
- Topic: The great Oscar Levant
- Replies: 3
- Views: 1798
The great Oscar Levant
A few weeks ago, I watched the 1946 version of Humoresque, in which Oscar Levant co-stars with Joan Crawford and John Garfield. He plays the piano-playing friend and mentor of struggling and then triumphant violinist Garfield. I love Oscar Levant. I can't believe he wasn't adlibbing some of his dial...
- March 12th, 2009, 11:14 am
- Forum: The People of Film
- Topic: Does anyone remember Susan Kohner
- Replies: 6
- Views: 4805
Re: Does anyone remember Susan Kohner
Hello Stuart - I don't remember Susan Kohner as such, because I'd never heard of her before I saw her in Imitation of Life a year or so ago - but I have to say she stood out for me in this film. She was head and shoulders above all the other soapy performances on offer. (I really could not believe i...
- January 15th, 2009, 10:21 am
- Forum: The People of Film
- Topic: Ricardo Montalban (1920-2009)
- Replies: 13
- Views: 4537
- January 15th, 2009, 10:12 am
- Forum: Dramas
- Topic: Wild River (1960)
- Replies: 6
- Views: 3164
Thanks for all the feedback. Interesting that Frank Overton's name should come up. I nearly mentioned him in my first post: I was very impressed by his acting. His character - Clift's rival for Lee Remick's affections - seemed initially threatening, but then another side emerged - of someone who cou...