PART 2 OF HIGH AND LOW (1963) REVIEW
THIS FILM involves a WEALTHY YOKOHAMA BUSINESSMAN played by
TOSHIRO MIFUNE, who dresses like BING CROSBY but makes it work. He manufactures
HIDEOUS WOMEN'S SHOES WITH KITTEN HEELS (ugh!) but they are apparently
WELL-MADE HIDEOUS WOMEN'S SHOES WITH KITTEN HEELS so he is committed to running his father's company HIS WAY and not cutting corners or compromising (by maybe putting ACTUAL HEELS on the shoes.)
I guess the JAPANESE just love A KITTEN HEEL.
TOSHIRO is trying to ward off a HOSTILE TAKEOVER of the company by an unscrupulous trio of STOCKHOLDERS BY LEVERAGING ALL HIS HOLDINGS FOR CASH to buy up the remaining stock and get a controlling interest which he will then use to take over the company himself.
he is putting it all on the line for these uglyassed kitten heels, but TOSHIRO MIFUNE don't do things halfway.
and then his son gets kidnapped from his home which overlooks YOKOHAMA....except, wait, it's THE CHAUFFER'S KID, the kidnapper discovers this and STILL DEMANDS a ransom, which puts
TOSHIRO IN A REAL PICKLE.
I am used to KUROSAWA taking a while to set the scene, but in the case of
HIGH AND LOW, the ENTIRE first HOUR OF THIS MOVIE IS RUTHLESSLY, STRICTLY (and unforgivably) CONFINED TO THE LIVING ROOM of MIFUNE'S hilltop house and:
OH MY GOD, IT IS THE MOST HIDEOUS, DRAB, VISUALLY UNAPPEALING SET IN ALL FILMDOM.
EVEN STANLEY KUBRICK WOULD BE LIKE "JESUS CHRIST! THIS PLACE GIVES EVEN ME THE "ICK" GET A SNAKE PLANT AND SOME THROW PILLOWS!!!"
The room is SO DRAB with only drapes for walls- and for some reason the patternless overstuffed chairs have ANTIMACCASSARS (SP?) and they
are SO ****inG UGLY.
also, everyone in the film WEARS WHITE AT ALL TIMES, which makes it tough to read the subitTLes which are also white and imposed over the screen, not the letterboxing (not AKIRA'S FAULT THOUGH)