Allhallowsday wrote: ↑December 16th, 2023, 1:53 pm
Lorna wrote: ↑December 15th, 2023, 8:47 am
...
AND YET, it is a rare instance where it's not his fault, IT'S THE WRITER'S FAULT, the writer being
PADDY CHAYESFSKY- who himself wrote at least TWO SCRIPTS that (like RUSSELL'S pair of aces) command my eternal respect-
MARTY and NETWORK, they're both great, I have no notes. (I think he also wrote the script for THE WAY WE WERE and THE HOSPITAL- the latter of which I've seen but don't recall much about other than it wasn't bad in spite of being awfully glib about rape, but i digress.)
...
I don't agree, LORNA. Both writer and director saw value in the property, so why part despising one another? If ALTERED STATES is a failure (silly anyway) how is the vision not at least partly responsible? Their visions apparently differed. The final product is ultimately the director's...vision.
I hadn't realized that the script was
CHAYEFSKY and the direction
RUSSELL, which is why I'd stayed up to watch.
BTW I am a fan of
CHAYEFSKY for both
NETWORK and
THE HOSPITAL (check it out).
Have you watched
MIDDLE OF THE NIGHT (1959) ?
i see where you're coming from.
i'm taking a slightly forensic approach as to what with wrong with
ALTERED STATES and I'm probably inserting my own opinions and feelings and intuitions and even prejudices as a(n amateur and unproduced) writer when getting to the root of why the souffle didn't rise with this one...
yes, there are absolutely faults with KEN RUSSELL'S direction, but I really firmly believe that (more importantly) THE SCRIPT was in DIRE NEED of a second pass/rewrite- something to make the dialogue less BAROQUE, to clear up some of the transitions from scene to scene that don't flow and leave the viewer with the feeling that at least 40 minutes of this film hit
must've the editing room floor
and I have no way of proving it, but I would just be willing to venture this was because PADDY CHAYESFSKY was reluctant to make changes because, as
the author, he was too close to the source material and (AGAIN THIS IS CONJECTURE) i think this was a very personal story for him.
maybe i place more blame for the failure of ALTERED STATES on CHAYEFSKY because I EXPECT A LOT OUT OF HIM- his script for just MARTY alone is a textbook example of how you write a great g**damn script, so i get bent out of shape when i see the problems with ALTERED STATES and it's easier to attribute those faults to his script and what I can only presume was his unwillingness to rewrite some stuff that needed it.
on the other hand, I don't tend to expect a lot from KEN RUSSELL- so the fact that he did a competent job in certain sequences makes me perhaps cut him some slack.
this is all conjecture on my part.
and if i am right and CHAYEFSKY wouldn't budge on tweaking the script, I can't say as I blame him because he had on numerous occasions knocked it out of the park (all while fighting studios and producers who wanted rewrites) to a point where he felt like he didn't need to listen to anyone.